In the week before February half-term, audiences in the Bishop Centre were gripped by Godolphin’s darkly comic, yet deeply moving production of Euripides’ Bacchae. Much has been written about the ‘problem’ of staging the Chorus in Greek Tragedy, with many modern productions resorting to significantly reducing them in size, or even eradicating them altogether. Godolphin’s … Continue reading A Darkly Comic Triumph of Greek Tragedy: The Bacchae